This book is a collection of documentation – photos, scripts, sketches etc. – of installations and performances by the Israeli artist Yael Davids over a period of five years. The extremely simple method of binding – stapled, with the rear flap folded back round the stapled spine to become the front cover – is amazingly effective: it gives the book stiffness, bulks up the spine for added effect and conceals the staples all in one fell swoop. Inside we find the equally effective signature of Mevis & Van Deursen: enormous sensitiveness to image proportions and sequences, restrained and subtle use of colour and monochrome, thoughtful choices such as splitting a photo spread into two separate halves in order to keep the image away from the deep fold that is the consequence of the chosen method of binding. High-gloss coated paper is interspersed with an uncoated sort to insert a distinction and hierarchy between the successive projects. Minimal means, maximum effect.